An Upcycled Cigar Box

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This article is written by Kathi Rerek

My father used to smoke cigars that were packaged in wooden cigar boxes. He reused those boxes to store various items like nails, screws, keys, and batteries. When he passed away, I claimed many of those boxes.

My Upcycled cigar box will feature colored stamped images, a painted surface, and seashells from my collection.

The first step is to smooth the wooden surface with sandpaper so that there are no splinters or jagged bits. When done, the exterior was coated with a layer of gesso to seal the wood and provide some tooth for the acrylic paint. The gesso was left to dry overnight.

The surface of the box was painted with Mermaid, Bora Bora, Sky, and Beach Hut Fresco Finish acrylic paints by Paper Artsy as well as Salty Ocean and Chipped Sapphire Distress paints by Ranger Industries. The paint was applied top and sides of the box and blended using Cut n’ Dry Foam and heat set between layers.

Inky Pool and South Pacific Fresco Finish acrylic paints were sponged over the Waves stencil by Memory Box

A paintbrush was used to apply Nougat and Irish Cream Fresco Finish to the bottom of the top of the box.

Recycling mixed media project with cigar box

Leaf Green Archival ink by Ranger and Forest Green StazOn ink were sponged over a Club Scrap vine stencil to both sides of the top of the box.

Bone Stone Effects paint by Art Anthology was thickly applied over this using a palette knife, left to dry, then the same colors of  Fresco Finish paints were used to add definition to the “sand”.

Recycling mixed media project with cigar box

A Flourish Trim Spellbinders die was used to die-cut white cardstock, which was then sponged with Leaf Green Archival ink by Ranger and Forest Green StazOn ink. Gel medium was used to adhere it to the top of the box.

Water from The Elements collection by Susana Loves Stamps was stamped with Tuxedo Black Memento ink onto white cardstock and colored with Copic markers. The image panel was cut into an oval and adhered to the box with gel medium.

Gel medium was sponged over the die-cut, image panel, and the top of the box, excluding the “sand area”.

Shells from my collection were adhered to the sand area of the box using Best Glue Ever by ScrapPerfect.

Pearls were adhered around the oval to finish the top of the box.

Recycling mixed media project with cigar box

The inside of the box was painted with black acrylic paint and the rims were painted with Beach Hut Fresco Finish acrylic paint.

Water Babies, a stamp by Susana Loves Stamps, was stamped with Tuxedo Black Memento ink onto white cardstock and colored with Copic markers. White Gelly Roll Glaze pen was used to highlight the pearls on the mermaid’s outfit. The stamped image was die-cut using a Die-Namics die.

Patterned paper from my stash was cut to fit the interior of the box. The stamped panel was held along the bottom and a continuation line was marked on the patterned paper. Nougat and Irish Cream Fresco Finish acrylic paint was painted along the bottom of the patterned paper. The stamped panel was adhered to the patterned paper, which was in turn adhered to the inside top cover of the box using gel medium.

Bone Stone Effects paint by Art Anthology was thickly applied to the bottom of the inside of the box using a palette knife, left to dry, then Nougat and Irish Cream Fresco Finish paints were used to add definition to the “sand”. More shells from my collection were glued to the “sand”.

A sea horse metal charm was painted with Verdigris, Jade, Moss Patina by Ranger and Nougat Fresco Finish acrylic paint, and then sanded when dry. It still was missing something, so it was smooshed into a Champagne Dazzle VersaMark pad and heat embossed with clear embossing powder. The seahorse was adhered on the right side of the stamped image panel.

A brass anchor charm was colored with blue Sharpie marker and suspended from the top with some waxed floss.

Recycling mixed media project with cigar box

Patterned paper from the Maritime 6×6 pad by 7 Gypsies was adhered to the inside base of the box.

Recycling mixed media project with cigar box

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Kathi F. Rerek is a mixed media artist who lives in New Jersey with her husband, daughter, and two cats. She’s been crafting for almost fourteen years and has been lucky to have served on several design teams.

Her blog, Kat’s Tales of Stamping and Scrapping can be found at kathstales.blogspot.com

Water and Water Babies are stamps by Susana Loves Stamps. They can be found at susanascustomartandcarddesign.com

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Altered Books for Mixed Media Art

Altered books are one of the exciting areas within Mixed Media Arts. This article will provide information as to what to look for when choosing a book to alter and some of the background to altered books.

What is an altered book?
An altered book is an old book, often no longer needed in its original form or for its original content, that has been turned into a work of art. Many mixed media art techniques can be used to create this artwork, from painting, stamping, journalling and collage. The final project may be a book with a common theme or it could be simply a “technique book” where many different mixed media techniques are tried. Books can be created by one artist or a group of artist may come together to do a “round robin “project.

History of Altered Books
Altering or reusing books and parchment has been around for a long time. When parchment was a scarce commodity, the monks would scrape off old writings and prepare the parchment for reuse. This is known as a palimpsest. Illustrations were also saved from the old manuscripts and reused in the new texts.

Modern altering came into vogue from the 1960’s with British artist Tom Phillips, who created his “treated book” using a Victorian novel by W.H. Mallock A Human Document. More information can be found here:  Humument

These humble beginnings have created the phenomenon which we see today.

"Using books to create altered art"Choosing a Book to Alter
Firstly, as artists, we would never wreck a book of significant value or one that can still serve its original purpose.

The key to choosing a book to begin your altered book project is to ensure it is study enough to undergo the rigours you will put it through with your painting and gluing. It needs to be in fairly good condition, with the spine intact and pages mould free.

Next we need to check that the page sections have been sewn in. Newer books that have the pages glued in will not stand up to the altering process. To check the construction of the book, hold the book up so you can see the inner part of the spine and where the pages touch it; if you can clearly see the page sections (the little books within the bigger book) then it will have been stitched. To check further, carefully open the middle of one of the sections. If you can see cotton or thread, then the book has been stitched and is exactly what you are looking for.

Books with glued pages can still be pulled apart and used as background and collage pages with interesting fonts. Any illustrations can also be used in other projects. The covers of the book can be used as a substrate for other projects. There are many uses for these books; but we will not use them as the basis for an altered book.

Where Do I Look for Books to Alter?
As the book is becoming a work of art, it no longer holds its original value, so these books can be bought fairly cheaply. Church fairs, garage sales and opportunity shops are great places to keep an eye out for books. Discount book stores can also be treasure troves.

I will look for books with interesting pictures and fonts. Or books of a large size, which are especially good to technique books, are always a prize find.

We will cover the techniques of getting started with an altered book in the next article.

In the meantime, keep an eye out for those alterable books and…

Happy creating!

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For further inspiration, have a look at  “Altered Art: Techniques for Creating Altered Books, Boxes, Cards & More” by Terry Taylor. This book is filled with photographs and the projects are amazing.

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