Where do Your Ideas come from?

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This article is written by Ann Strecko Koeman

As an artist I am often asked “where do you get your ideas?”. I usually smile and politely reply “all around me”.  To the non-artist this seems like a flakey answer, or that I don’t wan’t to share some secret and mysterious portal of inspiration that only artist types have access to.  In other words I feel like Hermione in the Harry Potter series of books, who has magical powers but must live within the mogul world!  However, as lame as my answer sounds it is the truth.  Creatives get their inspiration everywhere, and anywhere.  Inspiration strikes when you are living, working, playing, and even sleeping.

where do mixed media ideas come from?

Personally I find that I get ideas all the time just by living and acting.  If I am ill or depressed and not moving I do not feel the same level of inspiration as when I am well but I still am open to any ideas.  Which is why I try to always have pen and paper near by to jot down any ideas I get.  As some of you are reading this you may be thinking “now, really, where do you get your inspiration?”.  For you, I am including a list of inspirational starting points.

From my every day life and interactions with my family.

A song playing on the radio.

Something I  overheard while eating out at the restaurant.

Seeing children playing outside.

The woods behind my house.

Flipping through catalogs and magazines

where do mixed media ideas come from?

Tossing the junk mail into the recycling bin.

While watching a movie.

Surfing the internet, browsing through websites, Pinterest etc.

Looking through my vast collection of books (not just the art ones)

Cleaning around my house (ok I don’t do that very often)

Talking with other creative people.

Talking with my husband (get it, he’s not creative or so he  says).

Purging a closet.

While shopping (favourite one).

Walking around my neighbourhood.

Chatting with my neighbours.

Reading old magazines while waiting at the Doctor’s office.

Doodling while waiting at the Doctor’s office.

Checking out all the new products for pets in the shop while waiting for our cat to be seen by her Vet.

The people waiting in line at the post office.

My drive to and from home.

Packaging.

Artwork by other artists.

How- to leaflets in the department stores, and craft stores.

The hardware store.

Shovelling snow.

Waiting for my car to warm up in winter and cursing at the ice I have to chip off the windshield.

The new design on the paper coffee cup I just bought from the drive thru to warm up my frozen fingers from doing the previous.

My garden, any time of year.

The wildlife and the neighbour’s pets.

Taking a class.

Writing a blog post.

Attending a trade show.

The thrift store.

where do mixed media ideas come from?

Whatever it is that I am doing I stay open to any ideas that come my way.  There are days where I get a bunch of ideas that amount to nothing.  On the other hand sometimes a simple thought will develop itself into a larger idea and snowball into a project.  On the days that I just feel void of any creativity I just start doing anything, I doodle, splash some ink on a surface, rearrange my basket of scraps, or pull out an all in one beginner’s crafting kit just to get me going. My best days are when I am overflowing with ideas and I just scribble them all down like a mad woman into my many notebooks for fear I will forget them.  I also take photos often of anything that inspires me if I don’t have that pen and paper or can’t put into words the idea I just got.

So, I could list so many more ways to find inspiration but I think I have made my point.  Look around with an open mind and listen, there just might be the next big inspiration whispering to you.

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Ann is the Artist and owner behind Annmakes®, a blog about Mixed Media Arts and Crafting in general.  She is based in Canada just outside the nation’s capital of Ottawa, Ontario.  As the winters are long and cold there, she is bunkered down in her studio/office with a mug of coffee in the morning and a mug of tea in the afternoon, and wishes she did not have to leave until the Spring thaw!

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The Courage to Start

This article was written by Martice Smith II

The Courage to Start 

It’s something we all experience: the crippling plague of self-doubt and anxiety. (And, of course, it comes in varying degrees of intensity.) When starting a new illustration or painting, even I have caught myself saying “What if I mess up” or “How can I do that when I can’t even do this?!”

It’s easy to run away from what threatens us but at some point, we must push ourselves forward and beyond this low-level of self-criticism. It does not serve our higher purpose of becoming the artist we envision ourselves to be.

Here are a few nuggets of wisdom that I’d love to share with you. These tips have helped me tremendously in times where that nasty inner critic pops up and tries to flip every positive thing upside down.

1. First, we must allow ourselves to become immersed in positive thinking and effective affirmations.

Instead of saying “I’ll never be that good. I should stop right now and try something else”, elevate your thinking by saying this instead, “I can do anything I put my mind to…watch me!”.

Set your intention, empower your thinking, and express your thoughts into SPOKEN words. Yes, go ahead and say them out loud, so that you can hear them yourself. Listen to the way you speak to YOU. Are you gentle? Do you smile when you hear your words?

"Never Compromise", illustration by artist Martice Smith II

“Never Compromise”, mixed media illustration by artist Martice Smith II

Repeat your words until you are fully confident in them. It is YOUR belief in them that makes them come alive.

Now, as you build your courage on stable ground, remember to:

2. Allow yourself time to develop.

It takes time to learn and experiment with new techniques. Set aside, at least 15 minutes a day for creative exploration.

Break things down into manageable chunks and celebrate the small things, too. Show your enthusiasm and others will catch on and celebrate with you!

Every time you draw something, know that you will get better. You’re making progress and that surely puts those negative thoughts in their place, right?

You have to be willing to put the work in to get the results you’re looking for. Your first drawing may not look all that great to you; maybe the eyes are crooked, the composition doesn’t feel intentional, or there’s an unsightly knot in the middle row of your hand-woven basket…all of these “mess ups” can stop us in our tracks. Defy the urge to quit!

detail of "Never Compromise", illustration by artist Martice Smith II

3. Ask for help.

You are not on this great art journey all by yourself. There is always someone else you can reach out to. Be brave and write down a list of people you admire and reach out to, at least, one of them.

You can also participate in online art groups and connect with many individuals who are more than happy to give advice and share resources with you.

detail of "Never Compromise", illustration by artist Martice Smith II

Supplies used for the illustration: 

  • Large envelope – Size 12.5 x 9.5 inches (I used one from my local Postal Service)
  • collection of image transfers (from magazines)
  • Graphite
  • White ink pen (Uni-ball Signo)
  • Colored tissue paper
  • Spray varnish (matte finish)

DecoArt Products:

  • DecoArt Media Fluid Acrylics, Americana and Fluorescent Acrylics
  • Decou-Page – Napkin sealer
  • 3D Gloss Enamels Transparent Glass Writer – Yellow
  • Liquid Glass

Using acrylic paints, paint directly onto the large envelope with bold, expressive strokes. Let paint drip and splatter!

Create dots with the handle end of a paintbrush. Determine where your image transfers will go. Cut out words and letters and arrange them into graphic elements that make bold statements. Embellish with collage and mark-making techniques, your personal symbology, patterns and doodles. Spray entire surface with a light coating of matte varnish.

Now, you can bravely and confidently declare that you have the courage to start.

Cheers to your success!

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Photo of artist Martice Smith II

Martice Smith II is creative director of Martice Smith II – Illustration & Design Studio, based in Missouri and owner of Uneek Art Boutique. She established herself as a freelance Illustrator and graphic designer after receiving her Bachelor of Arts Degree. Her stunning illustrations reveals her love for fashion, typography and wildlife- using a combination of traditional and digital techniques.

You can see more of her work via her Facebook page or The Uneek Art blog.

Be sure to join the Uneek Art Letter, -Martice’s monthly newsletter- that offers art biz tips, advice and more digital goodness that will keep you inspired to be the artist you envision yourself to be!

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The Fear of saying No in the Art and Craft Community

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This article was written by Melanie Statnick

Success can be based on the reflex habit of saying yes to every opportunities that is presented to us. Some of us say yes out of fear we’re sending a message that we’re not that interested. As we succeed in our ventures we attract bigger opportunities and we then have to consider how valuable out time is as an artist. We don’t like to disappoint people and that can emotion can lead to becoming the “yes man/woman”

To gracefully say No is about managing our feelings and asking yourself some questions before you answer. We want to avoid the Burn Out. Sometimes we have the feeling of doubt which can stem from fear again of “Do I really want to turn this down? Will this opportunity present if self again if I do say no?”  By saying yes we relieve the anxiety of the situation only to find later down the road we regret our decision.

Perhaps it has become stressful to find the time or the inspiration to continue, you guilt yourself into thinking “Well I committed so I have to see this through”. Perhaps it comes with a financial burden and you can’t afford to keep going. That is when yes becomes stress.

Let’s think about this fear of losing an opportunity. How many opportunities will come along in your life time?  Many. How many and I going to safely be able to answer yes or no to? That depends on how you value your time, energy and talent. Let’s face it supplies cost. You can coupon clip till you have paper cuts but either way your spending your hard earned cash to make 20 or more cards, wreaths , paintings e.c.t on either friend’s kids parties, strangers/clients or family. I used to love to “give away” my artwork to places that contacted me about silent auctions for saving dogs, renovating art galleries, pancake breakfast, saving dolphins in oil spills. I have stopped. Because in reality the money being spent is on the cause, and has little to do with value or your artwork.   Something else that may guilt you into saying yes is the double edge sword of Exposure/Marketing.

How many of us went to school for business and or marketing then became an artist?  Not me.  I know how to create art, but I know very little about the business side. Do I want to start a business or do I want to sell my name or better my Art? This is an everyday challenge for most of us and when the opportunity arises to get your “name out there” you still have to ask yourself some questions. Who am I affiliating with? Is this really going to get me more exposure?   Ask for time to think about it. Pressure on lost opportunities can push us into a something we can’t commit to out of fear.

Overcoming the fear of saying no to opportunites for our art

Learning to say No for some of us is foreign and uncomfortable however those feeling can be overcome with practice.  Unless you enjoy volunteering your efforts and overachieving gives you’re a high chances are you’ll find yourself exhausted and your mojo will take a vacation without you.

5 Things to consider the time you’re faced with an opportunity for your artwork or craft experience.

  1. Do I have time for this?
  2. Do I have enough knowledge on the subject to teach it?
  3. Can I afford this Art retreat, Travel expense and or supplies without worrying about the money being spent?
  4. What can I learn from this opportunity that will benefit me in future opportunities?
  5. Do I mind not being paid again?

Remember that you are worthy of every exciting opportunity that comes your way and don’t let this create a fear of saying Yes! Opportunities can bring about friendships and furthering your skills and those are joys in life. Your time and talent is valuable and let this inspire you to make positive choices for yourself. Finally don’t forget to show gratitude for every door that opens.

Happy Creating!

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Author Bio:

Published Writer/Artist Melanie Statnick was raised in Ontario Canada. For over 12 years Melanie has called eastern North Carolina her home. Melanie continues as a self-taught artist and teacher of visual arts and an article writer for Mixed Media Art co Melanie’s work can be found extensively throughout North Carolina with private collections abroad.

Melanie’s successes include written publication of articles in Interactive Artists Magazine, Publication in Somerset Studio magazine, Altered Arts magazine, and 2013 edition of Wilson Woman Summer issue.  Melanie’s awards are 1st place in viewer’s choice in Washington NC and 2nd place magazine cover choice with Altered Arts magazine. In 2015 you can find her work in Dawn DeVriesSokol book “A World of Artists Journal Pages”.

You can follow Statnick on her website at: www.melaniestatnickart.com

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Mixed Media Art As An Adjunct To Therapeutic Biography in Palliative Care

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This article is written by Leeanne Oschmanns

The use of Biography writing as a therapeutic tool in palliative care was first developed in New Zealand and has become an approach used in some regions of Australia. One of the struggles that are faced by the dying and their carers is in finding meaning in the inevitability of death. Paradoxically, a meaningful death can be achieved only through the appreciation of a meaningful life. Quite often we overlook the day to day course of our lives as we get on with the business of living it. So often it takes a catalytic event for us to stop and take stock. To look back and ponder where it is we’ve been and the road we have traveled is to begin to find meaning and value.

Palliative Biography Writing is a special approach to helping the dying person to remember and find order in the recollections of their life. Through the use of voice recording, the story-telling process can be documented and written in such a way that the voice of the person whose life story is being told remains their own. Through the format of oral history, the person retains ‘ownership’ of their story and control over the memoir. Each story is unique not only through events, but also in the ‘voice’ of the story teller. Literary style and publishing conventions present no limitations and the exercise becomes open to creativity in a pure and unfettered way.

While some clients choose the option of a straightforward recounting of events in a traditional, sequential way, others are open to a variety of approaches. Some choose to recount the important aspects of their lives in a sequence of poems and verse. Others arrange the telling as a family history, firming up their place in the family tree. Some, musically inclined, will even sing their life story in a series of musical verse and performance poetry. Even the writing of a life play can serve the purpose.

Using Mixed Media Art As An Adjunct To Therapeutic Biography

A common thread running through most lives recounted are the physical items that have been important along the way. Small gifts and treasures, favourite cards and hobbies, old photos and so forth are the ‘stuff’ of life.  Many clients request that some of their special items be somehow incorporated into their biography. There are so many ways this can be achieved. Sometimes there is the favourite painting or drawing from a child which can be incorporated into the piece along with tiny things and old photos. Small remembrances like birthday cards and little notes, often long-forgotten are suddenly recalled and brought to light as the story-telling process unlocks the door to memories long stored away. Below is one beautiful example that was used by a client. A vintage card that had special meaning for her and her daughter. It had been stored in an old shoe box and was found as she was looking for things to include in her story. As she had advanced brain cancer, it became increasingly difficult for her to articulate the things she wanted to say. Placing these items and arranging them in meaningful groupings with other things helped her to achieve some continuity and expression of what she wanted to say.

Many families choose to put Memory Boxes together as their loved one draws nearer the end. These contain items that hold meaning for the family members in relation to their loved one and special times and connections that they have shared.

The Biography however, is put together by the palliative patient and holds the stories and ‘things’ that are important to him/her in relation to their own life. So it is a more personal account. Assembling a mixed media expression of meaning is (and should always be) a pleasurable activity. It does not have to be a commercial work of art because it is foremost a spiritual work of art.

Using Mixed Media Art As An Adjunct To Therapeutic Biography

Having worked with a number of these clients has allowed me to develop a new appreciation of art, and mixed media art in particular, as a tool of spiritual expression and mixed media is a way of encompassing so many aspects of a person’s life. Working in this area of biography brings so much reward and as one client, a child of World War Two said to me after reading her completed story “You know, I haven’t had such a bad life after all.” I think that is what we would all hope for.

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Leeanne Oschmanns is a writer, poet, mum, teacher and an ‘opportunity’ artist, meaning she looks for every opportunity she can find to incorporate art into her life. She has a love of words and find they help her to weave literary pictures to go with her artistic endeavours. Leeanne finds mixed media is a way of melding the elements of so much of what she enjoys in life…Gardening, history, animals, people and storytelling.

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