Mixed Media Painting Archives - Page 6 of 6

Gesso Resistance Background

This stunning background was created using the gesso resistance technique, as introduced to me by Michelle Ward, over with her Green Pepper Press Street Team.

Background using gesso resistance technique

Start by gesso’ing a layout. I use a criss-cross pattern, which gives the layout some texture to start with, as the brushstrokes will show up as the piece progresses. Allow to completely dry.

Gesso Layer

Next, splozzle some acrylic paints around. While it’s still a little damp, drag a dry credit card across the surface to remove some of the colour. The gesso allows the paint to be easily removed.

Paint Splozzling Paint removal

Also spritz some water onto the page and let sit for a minute. Then use paper towl to blot off the water and remove some of the paint. A nice splattering effect is created.

Water Spritz

Now you’ve got a background, ready for your next mixed media art project.

Finished background

Happy creating!

Filed Under: Mixed Media Painting Tagged With: acrylic paints, backgrounds, gesso, michelle ward

Painted Background on Canvas

By MMA Team 4 Comments

Here is a step by step guide to creating the background used on this Mixed Media Collage on a 4″ x 4″ mini canvas.

The mini canvas was bought from an arts supply store for less than $1. The two paints chosen are a purple and a bright maroon (Chromacryl Students Acrylic – Violet and Jo Sonjas Artist Gouache – Red Violet).

The purple paint was used first, starting from the top left hand corner and the bottom right corner, slowly working with a barely damp brush and moving the paint inwards.

To further fade the paint, a slight amount of water was added to the brush and the paint was watered down along the middle. Then with some paper towel, a small amount of paint was blotted off. Repeating this process improved the fading of the paint. When you are happy with the effect, allow that layer of paint to dry (a heat gun helps to speed the process along).

The maroon paint was then added in a similar way – apply the paint along the middle, the add a wetter brush to thin it out and blend it back into the purple paint. Blot with paper towel. Allow to dry.

Now we are ready to add some visual texture to the canvas. As this surface is tricky to stamp onto directly, the stamping is done onto tissue paper, then added to the canvas. Stamping needs to be done with an ink that won’t run when wet. Staz-On is a great ink to use in this application (Tsukineko StazOn Solvent Inkpad, Jet Black) Pigment inks are water based and will not work for this technique.

Take the stamped tissue paper and tear out the piece you want to add. Tearing the edges gives a feathered edge that blends into the background better than straight, cut edges. A vanish was used to adhere the tissue paper to the canvas. Gel medium or a runny glue will also work. Carefully apply the glue or vanish onto the back of the tissue paper and give it a few moments to soak in. Also apply a layer of glue onto the canvas. Very carefully lay the wet tissue paper onto the canvas. Smooth out the tissue paper with your finger nail, to remove any bubbles or excessive glue. Be very careful here or the tissue paper will tear. This does add an interesting effect and won’t completely ruin your canvas,but it is very annoying. Set aside to fully dry. Allow to air dry and resist the temptation to use your heat gun.

Now your canvas is ready to decorate.

Happy creating!

Filed Under: Mixed Media Painting Tagged With: acrylic paints, jet black, magenta, mini canvas, purple, stazon ink

Creating your own background

By MMA Team 10 Comments

Start with a piece of cardboard – this one is from a cereal box, cut into quarters. Then a layer of gesso is added and allowed to dry.

Add the first colour. The intention here was to have the colour radiating out and fading around the circle. The gesso underneath allows the paint to be thinned out and removed, using a dabbing motion with a cloth.

Then the second colour was added.

As this colour combination was a little bright, gesso was then added to tone it down and tie the pattern together. Again this layer was blotted to remove some of the gesso to make it thinner in the centre.