Art Journaling with Imagine Craft Irresistible Sprays & Stazon inkpads

~ * ~

This article was written by Melanie Statnick

Art Journaling with Imagine Craft product Irresistible Sprays & Stazon inkpads

Art Journaling with Imagine Craft product Irresistible Sprays & Stazon inkpads

I had a chance to play with Imagine Crafts product line of irRESISTible colored texture spray.  I have to say I’m loving all the juicy bright colors I have in my collection. These are some new colors and today I used a few that blended well together in a palette. Rose bud, Angel pink and Gold. With the metallic sprays you need to shake well before spraying.

Art Journaling with Imagine Craft product Irresistible Sprays & Stazon inkpads

Art Journaling with Imagine Craft product Irresistible Sprays & Stazon inkpads

Lay the stencil down on your journal surface and spray approx.12 inch away from the paper. To get a speckled look hold spray father and to achieve and more saturated heavy texture spray closer. Because this is acrylic it dries fairly quickly and I recommend washing off your stencil after spraying.

Art Journaling with Imagine Craft product Irresistible Sprays & Stazon inkpads

Art Journaling with Imagine Craft product Irresistible Sprays & Stazon inkpads

I must admit I was getting excited over the result in the sprays blending so well. I found that none of the spray ran onto another color. I did not dry in between coats. The colors remained bright, juicy and added fantastic texture coverage. I wanted to add some stamps to my page using Stazon. Stazon is not my go-to ink pad. I have found that the ink makes my stamps sticky and has a light odor to it.  However they are solvent ink and come in some yummy new colors. Here I used Gothic Purple, Cloudy Sky and Blue Hawaii. Aside from the brilliant colors the pads seem to come very wet which is a benefit. This allowed for maximum ink coverage. I also like the design of each case. The images give them just a little something to catch your eye. They are also stackable for those of you who like to keep order in the craft room.

Art Journaling with Imagine Craft product Irresistible Sprays & Stazon inkpads

Art Journaling with Imagine Craft product Irresistible Sprays & Stazon inkpads

Art Journaling with Imagine Craft product Irresistible Sprays & Stazon inkpads

After adding the irresistible texture spray and my stazon inked stamps I wanted to see how the sprays provided a resist.  I added my watercolor to the page and while it was still wet I gently rub off some excess color. The result was beautiful.  I encourage you to try irresistible texture spray in your project for yourself and play with this delightful product.

Art Journaling with Imagine Craft product Irresistible Sprays & Stazon inkpads

Art Journaling with Imagine Craft product Irresistible Sprays & Stazon inkpads

Art Journaling with Imagine Craft product Irresistible Sprays & Stazon inkpads

~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~

Author bio:
Melanie Statnick is a published artist/writer out of North Carolina. Melanie creates art daily from her private studio. Her style is happy and whimsy. Statnick’s artwork can be found in art galleries and shops extensively in NC with international private collections. Learn more about Melanie view her website at: www.melaniestatnickart.com

~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~

.

Mixed Media Canvases with Plaid Folk Art Paints

~ * ~

This article is written by Michelle G. Brown

This week I got to play with some FolkArt paints, provided to us by Plaid, to see what I could do with them. I do love playing with paints; they are a relatively cheap materials, come in lots of wonderful colors and gives me the ability to coordinate all of the elements I need to create many types of mixed media art

Acrylic Paints Folk Art with mixed media collage

The colors looks all so nice together (I’m a real sucker for “Rainbow” colors) but I was worried about using so many colors on the one canvas, so I did some testing to find color combinations that I liked; remember that I’m not very brave when it comes to combining colors. These were the trials that I completed:

Acrylic Paints Folk Art

I actually liked most of them but only had three canvas panels so I narrowed it down to three combinations that used a variety of paint colors.

Acrylic Paints Folk Art

Top: Lime Green, Deep Ocean Blue and Ivory White

Middle:  Deep Ocean Blue, Perfect Purple and Toasted Vanilla

Bottom: Vivid Orange, Parisian Pink, Moon Yellow and Ivory White

With my color combinations selected, I was ready to get started.

Materials and Tools for the Mixed Media Canvases

– selection of acrylic paints: here I used Plaid FolkArt Paints

– 3 5”x7” canvas board panels

– collected ephemera; 5 different fonts

Matte Mod Podge and sponge applicator

Gesso and applicator

Gelli Plate 8”x12”

Brayer

– Deli paper, ephemera and copy paper in A4

– Stencils: here I used Stencil Girl L174 Ward Quatrefoil Mix

– Variety of rubber stamps and grey archival ink

– Watercolor pencils: black and white

– charcoal pencil and blender

– Markers and pens: I used Sharpie White, white gel pen, black Sakura Pigmento Micro 02 and Montana Extra fine Acrylic Marker filled with black Golden High Flow Acrylic in Carbon Black

Spray varnish

Creating the Background Layers

1. Lay out the canvas panels

Acrylic Paints Folk Art with mixed media collage

2. Collect a range of ephemera and tear into pieces. I like to use four to five different texts and fonts to make sure there is enough variety in the background. Get these ready before you start to get sticky.

Acrylic Paints Folk Art with mixed media collage

3. Adhere to the canvas panels, leaving some pale edges overlaying the edges

Acrylic Paints Folk Art with mixed media collage

4. Cut off the excess ephemera with a craft knife and use a sanding block to smooth the edges of the canvas

Acrylic Paints Folk Art with mixed media collage

5. Get out your Gesso and an old store card or spatula and roughly apply a layer of Gesso over the dried ephemera layer. Leave to dry.

Acrylic Paints Folk Art with mixed media collage

Acrylic Paints Folk Art with mixed media collage

6. Add a layer of bone coloured acrylic paint, then a little ivory white and then a layer of yellow as a wash

Acrylic Paints Folk Art with mixed media collage

Acrylic Paints Folk Art with mixed media collage

Acrylic Paints Folk Art with mixed media collage

Leave canvases to dry.

Creating Color Coordinated Papers with Gelli Plates

While the canvas panels are drying, get set up to create some color coordinated papers to add to the canvas panels. This is the advantage of using paints where we can make all of our bits and pieces match. Here I’ve used  a Gelli Arts Gelli plate, with the paints and stencils and a variety of ephemera.

creating prints with Acrylic Paints Folk Art

Firstly I used these colors to make a few pages

creating prints with Acrylic Paints Folk Art

creating prints with Acrylic Paints Folk Art

Then changed colors and created a range of prints with different patterns and color mixes. I created quite a few so I would have a range of prints to choose from when I completed the canvases.

creating prints with Acrylic Paints Folk Art

creating prints with Acrylic Paints Folk Art

Finishing off the Mixed Media Canvas

I lined up the three panels and added some stamping with grey Archival Ink

Plaid paints add color to mixed media collages

Plaid paints add color to mixed media collages

Plaid paints add color to mixed media collages

Then I decided to focus on one canvas at at time, starting with the orange and pink one.

I had created a few sketches in my art journal and transferred these images onto the printed papers to collage the image onto the canvas. For the brightly coloured canvas I used a bright flower, as well as clouds and a feather.

Plaid paints add color to mixed media collages

The flower was highlighted with water coloured pencils in black and white

Plaid paints add color to mixed media collages

A quote was added with the black Sakura Pigmento Micro 02 marker and Montana Extra Fine Acrylic marker filled with black Golden High Flow Acrylic Carbon Black

Plaid paints add color to mixed media collages

The stencil was used to add more Quatrefoil pattern into the pieces.

Plaid paints add color to mixed media collages

Here I used the pink paints with a stencil brush.

Plaid paints add color to mixed media collages

Plaid paints add color to mixed media collages

Then I highlighted a few of the shapes with charcoal pencil, smudged it a little and added highlights with white pen and marker, as well as adding more shading around the flower

Plaid paints add color to mixed media collages

I repeated these steps with the other two canvases. Here is a close up of the highlighted quatrefoil.

Plaid paints add color to mixed media collages

When all three were complete, I signed them and gave them a coat of spray gloss varnish to seal the charcoal and give them a nice, glossy finish.

Final mixed media canvas panels

Here are the finished canvas panels

Be Kind: Vivid Orange, Parisian Pink, Moon Yellow and Ivory White

Folk Art paints to add color to mixed media collages

The quote reads “ You are the sole companion you will have at every waking moment of your life”

Folk Art paints to add color to mixed media collages

Be Mindful: Lime Green, Deep Ocean Blue and Ivory White

Folk Art paints to add color to mixed media collages

With the quote “You are more powerful than your thoughts.”

Folk Art paints to add color to mixed media collages

Be Gentle: Deep Ocean Blue, Perfect Purple and Toasted Vanilla

Folk Art paints to add color to mixed media collages

Quote: “Choose to respond, rather than react”

Folk Art paints to add color to mixed media collages

All of the quotes are by Stephanie Dowrick and her book Choosing Happiness

Gelli Printed Papers Giveaway

Michelle has a HEAP of Gelli printed ephemera left over from this project and wants to give YOU a chance to put them to good use and create your own mixed media collage. We are giving away THREE EPHEMERA kits, one in each of the three color combinations.

Michelle G. Brown creates fun papers

The winners have been announced ~ See the Announcement “And the Winners are…”

~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~

Michelle G. Brown is passionate about mixed media art and enjoys sharing her knowledge and techniques with you to allow you to express your own creativity. Michelle understands that many of us have an inner need to create. By learning a few basic techniques the amazing world of mixed media art is accessible to everyone!

Michelle lives with her husband and two boys in Melbourne, Australia.

~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~

Disclosure: These paints and Mod Podge were provided by Plaid for the purpose of review. All opinions are that of the MixedMediaArt team. The links on this page may include affiliate links and any purchases help to support the ongoing work by MixedMediaArt.
.

.

“Stash and Smash” by Cindy Shepard

~ * ~

This article is written by Michelle G. Brown

Cindy Shepard has created a fun little book called “Stash and Smash”, published by Design Originals, 2011.

“Stash and Smash”, published by Design Originals, 2011

Cindy encourages us to get out our stash of ephemera and bits and pieces and turn them into a work of art. “It’s time to rescue your memorabilia and present it in a manner that pays due homage to the emotion of the memory”, she says in her introduction. This book leads us through a series of inspiring techniques to help us to just that!

“Stash and Smash”, published by Design Originals, 2011

“Stash and Smash” includes over 120 individual techniques, grouped into 19 categories, with a few step-by-step photos, where needed, and a simple overview for the creative prompts that are self-explanatory

“Stash and Smash”, published by Design Originals, 2011

I created by own Stash book with a few sheets of water-colour paper, a few sheets of scrapbooking paper and a pile of ephemera I had lying around.

“Stash and Smash”, published by Design Originals, 2011

Close up of a few pages:

“Stash and Smash”, published by Design Originals, 2011

Cover with dried baby wipe, butterfly and doodling. Letters coloured with Derwent Inktense Block and gold sticker trim

“Stash and Smash”, published by Design Originals, 2011

Punched out left over Gelli Prints with a touch of Zentangling

“Stash and Smash”, published by Design Originals, 2011

Tag covered with wash tape, background with Derwent Inktense Blocks, with slide transparency and gold sticker trim

“Stash and Smash”, published by Design Originals, 2011

Background with Goosebumps resistance with Gelatoes and quote.

Overall, this is a fun and colourful book that definitely sparked my creativity!

You can see more of Cindy’s work at her blog – Cyndali

“Stash and Smash”, published by Design Originals, 2011

~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~

Michelle G. Brown is passionate about mixed media art and enjoys sharing her knowledge and techniques with you to allow you to express your own creativity. Michelle understands that many of us have an inner need to create. By learning a few basic techniques the amazing world of mixed media art is accessible to everyone!

Michelle lives with her husband and two boys in Melbourne, Australia.

~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~

Disclosure: This book was provided by Design Originals for the purpose of review. All opinions are that of the MixedMediaArt team. The links on this page are affiliate links and any purchases help to support the ongoing work by MixedMediaArt.
.

.

“Joy of Zentangle”

~ * ~

This article is written by Pauline Laing

Today we are going to review the book “Joy of Zentangle – Drawing Your Way to Increase Creativity, Focus and Well-Being” by Suzanne McNeil CZT, Sandy Steen Bartholomew CZT & Marie Browning CZT. This book was published by Design Originals, 2013.

Book review - Joy of Zentangle

Zentangles have been on the scene for a few years now. Created by Rick Roberts Sharon Lesh and Maria Thomas, the Zentangle method is a simple drawing technique that they claim can lead to creativity and a feeling of well being. I already knew that the drawings people produce can be very gorgeous, so I was enthused about having a go.

This book has left me a bit uplifted, and also a bit angry! Uplifted, because it led me to pick up a pen and draw in a new way, undaunted by the challenge of the white page. But angry because of all the “business” surrounding the process.

Let’s dispense with the business topic first. A whole page of the book is devoted to it, and the rest of the book is written mindful of the fact that Zentangle is a business. We are told to use the verb “tangle” to describe what we are doing. We are told to credit the Zentangle method if we use it to produce artwork. We are offered useful products for sale at the official web site. On one level, ten out of ten to them for turning a creative idea into a viable business. But on another, I’m very uncomfortable thinking that someone else can own this process. I’m just doodling with a pen, for heavens sake!

But that’s enough business. So, what do you get in this book? There’s a nice bit of background about how Maria  and Rick created this method, and some genuine insights into the meditative aspect of drawing. Sorry, tangling. Then we get into a tutorial on how to create a basic Zentangle work. It’s nicely laid out, you’ll have no problem understanding. I enjoyed this bit.

Very soon we are into the juicy bit of the book, the directory of tangles! Definitely the best bit of the book, we get no less than 101 samples of patterns to use. And not just the pattern, but a step by step guide to how to produce them. Some looked really complex to me, but turned out easy to draw when I referred to the steps. I was delighted! Some pages also featured a photograph of a real life object that was the source of inspiration for the pattern. At least, I think that was why they were there. The book didn’t really make the connection here, and I thought that would have been a very useful aspect to add. These directory pages also feature samples of others’ work. I examined them to see the connection to the tangle featured on the page, but in most cases, there was none. A missed opportunity, surely! A few patterns didn’t really lend themselves to using in Zentangles, I thought. They looked more like just a drawing not a pattern suited to filling in a random area. I’d have preferred a little more guidance there. My complaints aside, this section of the book was so useful, I returned to it over and again.

And did it make me more creative? I spent an evening tangling, and finished my first Zentangle. I decided to try creating an original pattern for filling areas. I flipped through photos on my iPad for inspiration. I never did get to creating an original tangle, because it was sidetracked by a very fun calligraphy project I suddenly thought of. So, was Zentangle a failure, because I stopped? Or was it a success, because it warmed me up for a more personal project? I’m going to say success, and based on my experience wit this book, I’d do it all again. And I’d flip through my 101 tangles again too!

Book review - Joy of Zentangle

My first Zentangle

Book review - Joy of Zentangle

An eye popping pattern I know how to do now

Book review - Joy of Zentangle

Book review - Joy of Zentangle

What happened once my pen was warmed up – not a Zentangle at all!

~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~

Pauline Laing is a Melbourne based crafter. You can see more of her work at: springchook.blogspot.com.au

~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~

.

.